Assamese Cinema Shines at IFFI 2025 with ‘Bhaimon Da’ and ‘Patralekha’

Director Sasanka Samir introduced Bhaimon Da—the first commercial biopic chronicling the life and influence of celebrated filmmaker Munin Barua, fondly remembered by generations as Bhaimon Da.


Devdiscourse News Desk | New Delhi | Updated: 26-11-2025 21:08 IST | Created: 26-11-2025 21:08 IST
Assamese Cinema Shines at IFFI 2025 with ‘Bhaimon Da’ and ‘Patralekha’
While Bhaimon Da celebrates a cinematic giant, ‘Patralekha’, directed by author and filmmaker Namrata Datta, pays homage to the musical genius of Dr. Bhupen Hazarika. Image Credit: Twitter(@PIB_Panaji)
  • Country:
  • India

The International Film Festival of India (IFFI) 2025 witnessed a deeply emotional and culturally resonant moment as Assamese cinema took center stage. The creative teams behind two extraordinary works—‘Bhaimon Da’, a landmark feature film, and ‘Patralekha’, a lyrical non-feature short—captivated audiences during an intimate and heartfelt press conference.

Both films, steeped in the artistic heritage of Assam, celebrated the towering legacies of two icons: Munin Barua, the beloved Bhaimon Da of Assamese cinema, and Dr. Bhupen Hazarika, the legendary bard whose music continues to define the region’s emotional and cultural identity. Their spirit infused the narratives, visuals, and sentiments expressed, turning the festival appearance into a tribute to Assam’s enduring film and musical legacy.


‘Bhaimon Da’: A Cinematic Homage to Munin Barua and Nine Decades of Assamese Film Heritage

Director Sasanka Samir introduced Bhaimon Da—the first commercial biopic chronicling the life and influence of celebrated filmmaker Munin Barua, fondly remembered by generations as Bhaimon Da. Barua’s contributions transformed mainstream Assamese cinema, blending relatable storytelling with emotional depth and cinematic finesse.

The film charts Barua’s journey from his humble beginnings to becoming one of the most defining voices of Assamese cinema. It revisits his early struggles, creative breakthroughs, and the behind-the-scenes stories from classics that brought together celebrated performers like Biju Phukan, Mridula Barua, Zubeen Garg, and Jatin Bora.

At the press conference, Samir spoke with visible emotion: “Munin Barua gave his entire life to Assamese cinema. His passion and sacrifices shaped our cinematic identity. With this film, I wanted to honor not just the man but 90 years of our film history.”

The film’s creation was itself an epic undertaking. Over five years of research, the team undertook:

  • Archival deep-dives

  • Statewide travel for on-ground documentation

  • Interviews with actors, technicians, and Barua’s contemporaries

  • Reconstruction of major sets and locations

Featuring 120+ shooting locations and 360 performers, Bhaimon Da stands among the most ambitious film projects ever attempted in Assam. It is as much a reflection of Barua’s life as it is a tribute to the countless unnamed contributors who shaped the Assamese film industry.

“This is not just a biopic,” Samir emphasized. “It is a tribute to every artist and audience member who kept Assamese cinema alive. This film belongs to them.”


‘Patralekha’: A Poetic Film Born from Dr. Bhupen Hazarika’s Melancholic Melody

While Bhaimon Da celebrates a cinematic giant, ‘Patralekha’, directed by author and filmmaker Namrata Datta, pays homage to the musical genius of Dr. Bhupen Hazarika. The short film is inspired by one of Hazarika’s most enigmatic songs—an aching melody about unspoken love and emotional distances that linger long after relationships fade.

Datta transforms this abstract musical emotion into a tender narrative about two individuals once bound by affection but now separated by life’s quiet, inevitable drift. The film uses contrasting visual landscapes to articulate their emotional journeys:

  • Village scenes, filmed under the harsh mid-day sun, convey the woman’s responsibilities and emotional weight as she tends to her home and her ailing mother.

  • City sequences, bathed in the gentle glow of dusk and night, portray the man’s solitude—his world filled with half-finished paintings, soft guitar notes, and memories he can’t entirely escape.

Speaking about her inspiration, Datta said: “The song carried a strange, unspoken pain. I felt compelled to continue that story—to give form to what the lyrics left unsaid.”

Cinematographer and co-producer Utpal Datta elaborated on the film’s artistic choices: “Their lives exist in twilight—burdened yet hopeful. Our lighting mirrors that emotional reality.”

He also reflected humorously yet honestly on the financial challenges behind the film: “People like us who don’t have money should not produce films—but love for cinema makes us fearless. We didn’t calculate the cost. We simply made what we believed in.”


A Moment of Pride: Assamese Cinema Resonates on an International Stage

The warm reception at IFFI 2025 underscored a remarkable truth: Assamese cinema, with its rich emotional textures and deep cultural roots, continues to shine brightly on national and international platforms. Both films—Bhaimon Da and Patralekha—represent not just artistic achievements but cultural memories, emotional journeys, and the resilience of creative voices in Assam.

Together, they stand as heartfelt tributes to two icons whose contributions shaped the region’s artistic landscape. Their stories continue to inspire new generations of filmmakers, ensuring that Assam’s cultural heartbeat remains strong, vibrant, and proudly visible on the global cinematic map.

 

Give Feedback