Ghostly Vision: Soderbergh's Cinematic Experiment with 'Presence'
Steven Soderbergh's new film 'Presence' showcases his unique storytelling approach by filming entirely from the perspective of a ghost. This experimental project, shot with a digital camera and minimal crew, highlights Soderbergh's views on the impact of streaming services on the film industry and the evolving cinema audience.

Renowned filmmaker Steven Soderbergh has taken a bold step in his latest cinematic venture, 'Presence,' where he not only directs but embodies the central point of view— a ghostly presence observing the world. This experimental film, shot over 11 days with a small digital camera, opens in theaters Friday, providing a unique narrative technique.
Soderbergh, well-known for his ability to swiftly execute diverse projects, discusses the challenges and creative freedom encountered when working outside traditional studio systems. His dual identity as both director and cinematographer, under the pseudonym Peter Andrews, reinforces his artistic vision in this project, highlighting the flexibility and ingenuity required to execute such a film.
In a reflective discourse, Soderbergh critiques streaming platforms, viewing them as hindrances to transparent artistic achievement. Despite changes in audience habits, he observes a resurgence of cinema's appeal among younger audiences, valuing unique and director-specific contributions to the art form. His adaptable approach continues to influence cinematic storytelling in the digital age.
(With inputs from agencies.)